Flora Bramley

Flora Bramley

From Wikipedia, the free encyclopedia. Flora Bramley (1909 – 23 June 1993) was an English-born American actress and comedian. Born in London, Bramley started out on stage in musical revues, and in June 1926, while visiting relatives in Hollywood, was signed by United Artists. Her first film (for Film Booking Offices of America), The Dude Cowboy (1926) was followed by three more films, all for United Artists. She was persuaded by Harry Brand, general manager of the Buster Keaton studios, to appear in Buster Keaton's College (1927). In 1928, she was selected to be a WAMPAS Baby Star (sometimes mis-credited as Flora Bromley), receiving a good amount of publicity. That year, her third film, We Americans (1928) was released. In late 1929, she appeared on stage at The Fulton in Oakland, California on 1 December 1929, as Laurel in Stella Dallas, directed by future screen actor and director, Irving Pichel. Flora Bramley's short film career ended when she appeared in The Flirting Widow, in 1930. She died on 23 June 1993 at her home in Moline, Illinois. Description above from the Wikipedia article Flora Bramley, licensed under CC-BY-SA, full list of contributors on Wikipedia.

  • Popularity : 0.51
  • Known For : Acting
  • Birthday : 1904-09-14
  • Place of Birth : London, England, UK
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Flora Bramley Movies

  • 1927
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    College

    College

    6.8 1927 HD

    A bookish college student dismissive of athletics is compelled to try out sports to win the affection of the girl he loves.

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  • 1930
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    The Flirting Widow

    The Flirting Widow

    4 1930 HD

    An older daughter invents a fiancé so that her father will allow her younger sister to marry. However, the lie comes back to haunt her.

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  • 1926
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    The Dude Cowboy

    The Dude Cowboy

    1 1926 HD

    A rancher, smitten with a pretty young girl he meets, hires himself out to her as a chauffeur, only to find out that she's on her way to his ranch....

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  • 1928
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    We Americans

    We Americans

    1 1928 HD

    We Americans was based on the Broadway play of the same name. Returning to the "melting pot" themes that he handled so well, director Edward H....

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